All Results For “william morris thistle wall paper”
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Graham & Brown
A beautiful and dynamic Morris design featuring perching and swooping birds against a network of foliage and an abundance of ripe pomegranates – some whole, some bursting open, and others getting pecked at by diving birds. The inspiration for this piece was William Morris’s much earlier pattern, ‘Fruit’, which similarly depicts luscious pomegranates amongst branches, leaves, and blooming pomegranate flowers. With nature as the focus, this vibrant and whimsical design is a fine exemplar of Morris’s characteristic style. Bird and Pomegranate Deep Green is a beautiful, statement design with its vivid richness in color. Displaying pops of muted terracotta, rosy pink, and cream against a multi-tonal sea of green. This matte-finish wallpaper would be an eye catching asset to any room.
Designed in 1892, Blackthorn was originally block-printed and features white blackthorn (or sloe) blossoms and violets with meadow flowers of red snakes head fritillaries and yellow daisies. The flowers bloom from a lattice of curling foliage, leaves, and stems in this iconic Morris pattern. Typical of Morris’ work, Blackthorn is a celebration of the beauty of nature. Blackthorn Plum contains a mixture of cranberry, mustard yellow, and terracotta tones, accompanied by accents of light greys and peach, laid upon a rich plum background. This wallpaper is finished with a matte finish, adding a contemporary feel to this classic design by Morris.
Perhaps William Morris’s most recognizable design, Strawberry Thief, was inspired by the thrushes that crept under Morris’s strawberry nets in his garden at Kelmscott Manor, Oxfordshire. The original pattern took several days to print using hand-carved woodblocks to build up the different colors, and ‘Strawberry Thief’ was consequently one of Morris’s firm’s most expensive cottons. While waiting to see the first piece printed, Morris endured sleepless nights in his lodgings at Merton Abbey. Designed in 1883, Strawberry Thief remains one of William Morris’s most popular and iconic designs. Strawberry Thief Deep Blue provides a depth of rich color featuring hues of muted red, teal and dark blue, partnered with pops of lighter tones to accentuate the detail within the design. This matte finish wallpaper invites the outdoors in, in a complementing and easy on the eye manner.
Morris & Co.
Over-sized, simplified thistle heads framed by scrolling leaves adorn this all-over beaded wallpaper, echoing the neo-Gothic influence of early Morris & Co. This beaded wallpaper is a modern take on a classic design and is also available as a non-beaded wallpaper.
Acanthus leaves decorate many of Morris’s designs and are made a central feature in his ‘Acanthus’ pattern for wallpaper. First used in Ancient Greek friezes and on the capitals of Corinthian columns, these swirling, curling leaves have decorated walls and buildings ever since. Morris found this classical motif ideal for repeating patterns and believed the large pattern he created here was perfect for smaller rooms, creating a more restful atmosphere than a smaller, dense pattern. Acanthus Blue from William Morris displays the beauty of Morris’ large leafy designs in calming yet engaging deep blue and teal tones. The matte paper finish of this wallpaper accentuates the fusion of classical and contemporary.
Brunschwig & Fils
Bird and Thistle wallpaper by Brunschwig & Fils brings timeless charm to your interiors. Known for its heirloom-quality design, this traditional toile-patterned wallpaper adds depth and character to any space. Ideal for an elegant feature wall or a full-room transformation, it features a drop match design for a seamless, harmonious look.
This iconic pattern forms part of The Gallery’s collection of earlier printed chintz and wallpaper lengths. The design is based on the natural willow form, which was one of William Morris’ favorite motifs. Originally designed by William Morris as a wallpaper in 1887 and adapted for fabric in 1895, it is block printed in a diagonal branch pattern at Merton Abbey and combines abstraction with a gentle reminder of the outdoors. Simple yet stunning, Willow Bough Plum wallpaper displays trailing leaves with subtle boldness through lush purple and pink tones, complimented by popping rose-inspired orange, and is completed with a matte finish for a sophisticated modern feel.
Marigold was designed by William Morris and registered as a wallpaper in 1875. The pattern incorporates larger marigold flowers amongst sprays of willow-like leaves in a sub-pattern of smaller foliage and flowers. The monochrome pattern was produced in a wide variety of colorways. Morris also registered the design as printed cotton later in 1875, one of only three designs Morris specifically intended to be produced as both a textile and a wallpaper. Marigold fibrous green perfectly showcases Morris’ famous design with a full black metallic print on a gorgeous deep green, textured background. This luxurious design adds an eye-catching element to this duo-toned wallpaper, making it the perfect choice for a sophisticated feel.
The Pure Honeysuckle & Tulip Wallpaper by Morris & Co. brings a touch of timeless elegance to your walls. This wallpaper features intricate floral patterns that echo the beauty of nature, making it a versatile choice for any room. Crafted with a non-pasted application, it offers flexibility in installation, allowing you to tailor it to your unique space.
If you want to go bold but not too bold, this is a great paper. The colors are subtle but the print is big and bold. It's the perfect "happy medium" for those who want to make a statement with wallpaper but don't want to go "all in" with color. The background color is very close to Benjamin Moore 1570 Gray Wisp (a gray that leans somewhat like a sage green with slight hints of blue) and the large stems & florals are similar in color to Benjamin Moore's more neutral Edgecomb Gray. Perfect for my client who wants to make a statement in her powder room but still wants to stay within her home's calming neutral color scheme.. AMANDA. BIRMINGHAM, AL. 2022-06-08 19:57:52
Designed in 1892, Blackthorn was originally block-printed and features white blackthorn (or sloe) blossoms and violets with meadow flowers of red snakes head fritillaries and yellow daisies. The flowers bloom from a lattice of curling foliage, leaves, and stems in this iconic Morris pattern. Typical of Morris’ work, Blackthorn is a celebration of the beauty of nature. Blackthorn Charcoal and Burnt Orange displays an array of colors, from light grey to peachy coral tones, brought out by light and mustard yellows, alongside punchy accents of cranberry, all upon a charcoal backdrop. Completed with a matte finish, this wallpaper would make for a sophisticated and stunning feature wall.
The swirling rhythms and complex structure of this wallpaper made it the choice for Morris himself when decorating his dining room at Kelmscott House. Designed in 1876, this painterly wallpaper is available in robust, feminine colorways.
This paper is even better than we imagined! It is gorgeous! My husband did some beautiful woodwork and then we used on the upper wall. We love it. My husband was worried at first about no paste. In the end, he said it was so easy to use he prefers that now!!!. Kathy. Farmington Hills, MI. 2024-12-11 16:54:17
This design is printed in three sections on one roll that can then be cut and joined together to make a full scene. Each roll is comprised of 3 x 300cm panels (A, B, and C), with spacing between each panel for cutting or trimming. The 3 panels make a total scene width of 205.5cm when hung.
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