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Inspired by a mix of timeless English, Italian, and American designs, the Camden collection by Century evokes a sense of nostalgia for places and yet is rich with individuality and scaled for a new era of livable elegance. Century has reinterpreted and refined classic elements with today’s proportions and desire for casual living. Whether your home is a tranquil waterside retreat or a breathtaking mountainside escape, the Camden collection offers unique designs that can be customized to fit your style.
Graham & Brown
Marigold was designed by William Morris and registered as a wallpaper in 1875. The pattern incorporates larger marigold flowers amongst sprays of willow-like leaves in a sub-pattern of smaller foliage and flowers. The monochrome pattern was produced in a wide variety of colorways. Morris also registered the design as printed cotton later in 1875, one of only three designs Morris specifically intended to be produced as both a textile and a wallpaper. Marigold fibrous green perfectly showcases Morris’ famous design with a full black metallic print on a gorgeous deep green, textured background. This luxurious design adds an eye-catching element to this duo-toned wallpaper, making it the perfect choice for a sophisticated feel.
A beautiful and dynamic Morris design featuring perching and swooping birds against a network of foliage and an abundance of ripe pomegranates – some whole, some bursting open, and others getting pecked at by diving birds. The inspiration for this piece was William Morris’s much earlier pattern, ‘Fruit’, which similarly depicts luscious pomegranates amongst branches, leaves, and blooming pomegranate flowers. With nature as the focus, this vibrant and whimsical design is a fine exemplar of Morris’s characteristic style. Bird and Pomegranate Deep Green is a beautiful, statement design with its vivid richness in color. Displaying pops of muted terracotta, rosy pink, and cream against a multi-tonal sea of green. This matte-finish wallpaper would be an eye catching asset to any room.
Made & Curated
Artist Commentary: Iconic 50's chopped and shaved MERCURY with tuck and roll and baby moons. This is part of the Chassis series. The imagination is geared up for hands-on work under the body. All of these cars are dreams, but some are the greatest ever. In the shop with a wrench and rag is the image I see, hear, and smell. You have to close your eyes and let your mind drift away down the highway.
Designed in 1892, Blackthorn was originally block-printed and features white blackthorn (or sloe) blossoms and violets with meadow flowers of red snakes head fritillaries and yellow daisies. The flowers bloom from a lattice of curling foliage, leaves, and stems in this iconic Morris pattern. Typical of Morris’ work, Blackthorn is a celebration of the beauty of nature. Blackthorn Charcoal and Burnt Orange displays an array of colors, from light grey to peachy coral tones, brought out by light and mustard yellows, alongside punchy accents of cranberry, all upon a charcoal backdrop. Completed with a matte finish, this wallpaper would make for a sophisticated and stunning feature wall.
Artist Commentary: EARLY SPRING is when cracks start show in the ice. The snow starts to melt, and things start to thaw. Ife has come again. Some Spring colors will start showing through. Often, however, it is still very cold, and Winter may make another return appearance. As a young child in Nebraska, I would find my self whispering "finally it is here".
Acanthus leaves decorate many of Morris’s designs and are made a central feature in his ‘Acanthus’ pattern for wallpaper. First used in Ancient Greek friezes and on the capitals of Corinthian columns, these swirling, curling leaves have decorated walls and buildings ever since. Morris found this classical motif ideal for repeating patterns and believed the large pattern he created here was perfect for smaller rooms, creating a more restful atmosphere than a smaller, dense pattern. Acanthus Blue from William Morris displays the beauty of Morris’ large leafy designs in calming yet engaging deep blue and teal tones. The matte paper finish of this wallpaper accentuates the fusion of classical and contemporary.
Jonathan Charles Fine Furniture
William Yeoward Solid Wood End Table is probably one of the first pieces I ever bought for my house! This table works in almost every situation; by the bed, by the sofa, by the chair, and as a great lamp table next to my library chimneypiece. Shown here in grey fruitwood with the drawer lined in our signature polka dot, the William Yeoward Solid Wood End Table really looks the part.
Very heavy and well done piece as you would expect from the price point. Love the extra detail within the drawer. Looks great against my dark wall. Denise. Galloway, NJ. 2023-04-12 15:26:48
Nazmiyal Collection
Magnificent and Rare Large Oversized Antique Arts and Crafts William Morris Rug, Country Of Origin / Rug Type: Irish Rug, Circa Date: Late 19th century. This huge oversized rug may at first appear to appeal to the design sensibilities of traditional Persian rug makers, but this antique rug is the product of the great arts and crafts designers of the late 19th century. This arts and crafts rug was produced by William Morris, who was a textile designer, novelist, poet, social activist, and translator in Britain who was associated with the arts and crafts movement. The work of William Morris played a major role in the revival of traditional British textile arts.
Nicolette Mayer
The provenance of Royal Delft “William & Mary” is the commission in the 1600s of thematic tile plaques (manufactured in Delft) based on a design by Daniel Marot, who worked as a principal designer to William of Orange and also worked at William and Mary’s court in England and who may have played a pivotal role in furnishing and decorating the Water Gallery at Hampton court palace. A blue Delft vase is within a three-lobed ornament or trefoil surrounded by a cartouche with large curling acanthus leaves and flowers. Filled with diamond ornament on either side of the trefoil, a bird sits on the cartouche. Delft tiles were often used to seal damp walls from moisture and as Stadholder of Holland and King of England, William III decided to tile the walls on the Thames-side rooms to keep out the dampness with exceptionally beautiful glazed tiles. The project was never completed, as Mary died in 1694, and the rooms were demolished as early as 1700. The plaques sold piece by piece and disappeared, only resurfacing in 1923 when an art dealer put ten for sale. They are now housed at various museums, including the Metropolitan Museum, Rijksmuseum, Default, Cophenhagen, and Sevres. With reverence for the originals and equal parts artistic license, we carefully resorted their beauty on a new medium.
William Morris
The Morris collection is handtufted and made in India. The pile material is pure new wool, the backing is made of cotton/latex. The pile height is 12 mm, the total height is 17 mm. The pile weight is 2500 gr/sqm, the total weight is 4500 gr/sqm.
The outdoor collection is suitable for indoor and outdoor use. The rugs are made from polypropylene, the height is 6mm, and the weight is 2800 gr/m2.
Love this rug! I actually bought it thinking it was one of my other 3 Morris rugs! Can be used anywhere in the hose from one’s formal living room to a bedroom! And yes, even outside as it mentions!. Elizabeth. Merritt Island, FL. 2022-09-20 14:35:16
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