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Louis Poulsen
The fixture emits a soft, comfortable, glare-free, light. The metal-shade versions direct the light directly downward, creating a pleasant illumination due to the inner white-painted shade and the reflection from the trumpet-shaped stem. The opal acrylic produces a diffused, comfortable light due to the translucent shade, the downward reflection from the inner shade, and the reflection from the trumpet-shaped stem.
The fixture emits a soft and comfortable illumination. The hemispherical shade reflects the light downwards, and the material used ensures that the majority of the light is spread diffusely in the room from the surface of the shade.
The fixture is designed based on the principle of a reflective three-shade system, which directs the majority of the light downwards. The shades are made of hand-blown opal three-layer glass, which is glossy on top and sandblasted matte on the underside, giving a soft and diffused light distribution.
The fixture emits downward-directed light. The angle of the shade can be adjusted to optimize light distribution. The shade is painted white on the inside to ensure a soft comfortable light.
PH 2/1 Pale Rose Brass Table lamp features intricate design details, which come together to create an elegant expression and a soft, warm light in your home. The glossy pale rose shades are poetic and speak to modern interior trends, while the inside of the shades is sandblasted white, to create the glare-free light characteristic of Louis Poulsen's lamps. Additionally, if left untreated, the brushed brass will patinate beautifully over time, adding character and charm to the already captivating lamp. Whether you choose to place it by your bedside, on a shelf or on the windowsill, the PH 2/1 Pale Rose Brass Table lamp will cast a pleasant glow over the surrounding area. Give your home a glow up with the PH Pale Rose collection.
The louver is 100% glare-free, with a design based on the principle of a reflective three-shade system, which directs most of the light downwards. For some variants, the top shade is made of deep-drawn aluminum with a white inner surface that ensures gentle, downward light distribution. The two bottom handblown opal glass shades ensure a large glare-free light surface, making optimum use of the light source to provide comfortable, functional lighting.
The fixture provides 100% glare-free light. Its design is based on the principle of a reflective three-shade system, which directs the majority of the light downwards. The fixture emits both downward and lateral light, thus illuminating itself.
The AJ Oxford table lamp has a sleek graphic design, which reflects the architecture of St Catherine's College, in Oxford, for which it was originally designed. St Catherine's College, inaugurated in 1963, was designed by Arne Jacobsen in a modernist architectural style, which stands in contrast with the surrounding classical architecture of Oxford University. The AJ Oxford table lamp was first designed as a table pin lamp for the impressive dining hall at the college, which housed long rows of oak tables, seating 350 people. The table lamps act as centerpieces on the tables, while natural light comes from clerestory windows with the wall-mounted AJ Eklipta providing diffused general lighting. The lamp is still found at St Catherine's College, which is still in use today, both for teaching and as a residence hall for students. The AJ Oxford lamp features a slim stem, similar to those of the AJ lamp collection, which seamlessly merges into the circular base. With its graphic style and monochrome color palette, the AJ Oxford table lamp is a timeless addition to any home.
The well-known and popular PH 2/2 Question Mark by Poul Henningsen has been transformed with pale rose coloured glass shades and brushed brass. Each of the three shades is made of mouthblown pale rose coloured four-layer glass, that is milky white and sandblasted on the inside.
The lamp was designed by Nendo Design Studio of Japan and designer Oki Sato. NJP Table is a new interpretation of the classic architectural lamp. Its simple and honest look bares the lamp’s functional components and makes it self-explanatory in its expression. The lamp’s applications have been considered in every detail: The two joints on the arm offer great flexibility making it easy to set the lamp position. As an added touch, the springs are exposed in the arm joints and contribute to the lamp’s decorative expression. In the same way, the rear shade opening towards the arm provides step-less adjustment of the head and ventilation for the LED units.
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