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Originally Ingeborg was designed in 1940 by Flemming Lassen. The chair was designed by Master carpenter Jakob Kjær, who manufactured Flemming Lassen's furniture for the Carpenters Guild Annual Furniture Exhibition. The charming little easy chair is named after Flemming and Mogens Lassen's mother, the artist Ingeborg Winding. Ingeborg is a perfect match for the new sofa, called Vilhelm. The sofa is named after the brothers' father Hans Vilhelm Lassen who was a decorative artist. It's a beautiful reunion of Vilhelm and Ingeborg. Despite its petite size, Ingeborg brightens any room with its charm and exclusive style. Ingeborg looks beautiful from all angles. It can be placed anywhere in a room without taking up too much space.
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Scandinavian mid-century design aesthetics and Brazilian modernism meet on the new Brasilia lounge chair and corresponding ottoman, designed for Audo by Anderssen and Voll. Originally imagined for the Audo, the luxurious armchair-lounge chair hybrid offers unparalleled sitting comfort thanks to its robust frame and soft upholstery. "The design was directly inspired by the mood at the Audo. There was something about the setting, wooden sculptures, calm ambiance, and welcoming colors, that made us think of more exotic variations of modernism rather than our own familiar Scandinavian roots," note designers Torbjorn Anderssen and Espen Voll. Made using traditional joinery techniques, the wooden frame is characterized by exaggerated armrests, cylindrical legs at the front, and broad, wooden boards at the back, lending the chair personality and its distinctive look. The cushioning seat and backrest add to the sense of ease. The versatile footrest doubles as a seat for unexpected guests or a resting place for a newspaper or tray.
Scandinavian mid-century design aesthetics and Brazilian Modernism meet on the new Brasilia Lounge Chair and corresponding Ottoman, designed for MENU by Anderssen and Voll. Originally imagined for The Audo, the luxurious armchair-lounge chair hybrid offers unparalleled sitting comfort thanks to its robust frame and soft upholstery. "The design was directly inspired by the mood at The Audo. There was something about the setting – wooden sculptures, calm ambiance and welcoming colors – that made us think of more exotic variations of Modernism rather than our own familiar Scandinavian roots," note designers Torbjorn Anderssen and Espen Voll. Made using traditional joinery techniques, the wooden frame is characterized by exaggerated armrests, cylindrical legs at the front and broad, wooden boards at the back, lending the chair personality and its distinctive look. The cushioning seat and backrest add to the sense of ease. The versatile footrest doubles as a seat for unexpected guests or a resting place for a newspaper or tray. Available in three wood options and a range of soft fabrics from our extensive range, both can be tailored to fit any setting – alone or together.
Designer Nick Ross demonstrates the potential of simple, geometric forms and cocooning comfort with his Tearoom collection. The generously proportioned Tearoom swivel chair with return features a 190° rotating recessed plinth base that turns to face any direction with ease. The wide and low seat and embracing form with an upright back ensure its beauty, function, and comfort in both classic and contemporary spaces - from home living rooms to exclusive hotels to modern workspaces.
Defined by an exposed, triangular construction, a gently curved seat and back ideally pitched for relaxation, and distinctive cut-outs for resting the elbows when reading (or, of course, knitting), the Knitting chair affirmed Kofod-Larsen’s reputation as a master of proportion and unexpected, sculptural form. It was put into production, but only as a limited edition. Since then, the elegant, inventive design has become an increasingly valuable and sought-after collector’s item. The Knitting chair is beautiful from every angle, making it easy to place anywhere in a room. Given the chair’s enveloping comfort, it has a relatively small footprint, which makes it an easy fit in compact interiors as well as in more spacious ones. The design also stands out on comfort, the result of Kofod-Larsen’s constant care to ensure ideal angles and lumbar support. The clean, sculptural lines, achieved through the designer’s close work with joiners, and the high-end, natural materials make for an unforgettable, conversation-sparking silhouette. Ib’s furniture was rooted in reality,” says the designer’s son, Jan Kofod-Larsen. He took a lot of pride in his work, and was iterative in the design process, working closely with his manufacturers to get every detail just right. His hope was to create a design that would endure, both functionally and aesthetically. So there is a clear parallel with Audo’s design philosophy: the ideal of keeping the best and leaving the rest. I would have been very happy to see that people continue to appreciate Norm Architects' furniture today. And I think he would have enjoyed Audo’s approach and focus on creating for the future while respecting the past.”
Designer Nick Ross demonstrates the potential of simple, geometric forms and cocooning comfort with his Tearoom collection. The generously proportioned Tearoom chair, swivel with return features a 190° rotating recessed plinth base that turns to face any direction with ease. The wide, low seat and embracing form with an upright back ensure its beauty, function, and comfort in both classic and contemporary spaces - from home living rooms to exclusive hotels to modern workspaces.
Conceived during the design process for Audo's new creative destination Audo Space located in Copenhagen's thriving Nordhavn (Northern Harbour) area, the Harbour chair is the result of fulfilling a variety of needs (among others) comfortable versatility. Designed specifically for Audo Space, the dining chair is ideal for anything from restaurants, conferences, offices, or in the comfort of one's own home. A hybrid space that mixes office, showroom, cafe, co-working, and event space in One, Audo Space required a chair that could suit a range of purposes. Finding a perfect balance between geometry and organic shapes, the shell's armrests bend outwards for maximum support, as does its high backrest, providing not only comfort but also an elegant and slim appearance that will appeal to any discerning design aficionado.
The Tearoom chair completes the leisure experience in a multitude of settings from exclusive hotels, clubs, and lounges to private homes. Pairing the luxurious feel of full upholstery with a clean silhouette rooted in geometric forms, the Tearoom collection is as appealing to the touch as it is easy on the eyes. While creating the clean silhouette, Ross took exceptional care to imbue every inch with mood-lifting comfort. Every design element curves gently to ensure that the furniture’s contours complement our own. Beneath the upholstery, a wood and foam construction creates the ideal pairing of sturdiness and lush comfort. What is a chair design, after all, if it doesn’t deliver the experience you imagine when you get drawn into its sculptural form from afar? Timeless in its expression and execution, the Tearoom collection is well-suited to both period and contemporary environments. The Tearoom chair radiates elegant yet strict femininity. Its embracing form, while alluring, stops short of being overly casual. As such, the furniture maintains a clear visual that originally sparked the designer’s imagination.
The Co-chair with armrests seamlessly integrates sitting comfort and flexible function into its minimalist expression. Designed for a wide range of work settings and set on a five-star swivel base with casters, a height-adjustable feature ensures adaptability to workspaces and user preferences, promoting ergonomic comfort for users of different heights. Together with supportive armrests and an upholstered seat, a flex tilt function enhances comfort, allowing for adjustment to the preferred seating position for optimal support during extended periods of use.
Once you’ve chosen the Harbour chair shell style that will be cradling and supporting your body, you can now also choose a clover-shaped swivel base so you can spin around as needed. All new Harbour chairs with a swivel base or swivel with return have been upgraded with QuickClick gliders, as used on all other chairs in our collection. The chairs are delivered with plastic gliders attached and come with a bag of supplementary felt castors that allow you to easily switch from plastic to felt.
Conceived during the design process for Audo’s new creative destination Audo Space located in Copenhagen’s thriving Nordhavn (Northern Harbour) area, the Harbour chair is the result of fulfilling a variety of needs (among others) comfortable versatility. Designed specifically for Audo Space, the dining chair is ideal for anything from restaurants, conferences, offices, or in the comfort of one's own home. A hybrid space that mixes office, showroom, café, co-working, and event space in one, Audo Space required a chair that could suit a range of purposes. Finding a perfect balance between geometry and organic shapes, the shell’s armrests bend outwards for maximum support, as does its high backrest, providing not only comfort but also an elegant and slim appearance that will appeal to any discerning design aficionado.
Once you've chosen the Harbour chair shell style that will be cradling and supporting your body, you can now also choose a clover-shaped swivel base so you can spin around as needed and roll around as wanted, should you opt for caster wheels. All new Harbour dining chairs with a swivel base or swivel with return have been upgraded with quick-click gliders, as used on all other chairs in our collection. The chairs are delivered with plastic gliders attached and come with a bag of supplementary felt castors that allow you to easily switch from plastic to felt.
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